http://infinitebody.blogspot.com/2016/01/back-to-apap-regina-nejman-at-dixon.html
"Early on in the piece, before Nejman branched into text and satire, I
noticed something interesting about her approach to movement. She made
us see her and Miller's bodies as human first and foremost. Not
abstractions. Not symbols. Not even tools for a choreographer, trained
to deliver the assigned steps and shapes. I was struck by this: Here
were women. Dancing. And, yes--despite our imagination of the imaginary
"artist" sketching or painting them--these were women's bodies speaking
for their lives as bodies. Real ones. And Nejman's insistence on giving
us even a small glimpse of the
human being within the choreographed body was...well, I can only call it beautiful."
photos by Julie Lemberger